Deer Trails by Kim Shuck
Deer Trails is a strongly elegiac evocation of a San Francisco that lies buried under its contemporary urban landscape, but can still be found peeking through. Native American and native San Franciscan Kim Shuck is the city's seventh poet laureate, and in these poems she celebrates the enduring presence of indigenous San Francisco as a form of resistance to gentrification, urbanization, and the erasure of memory. www.kimshuck.com
Deer Trails San Francisco Poet Laureate Series No. 7 Kim Shuck
Archive | Author
Kim Shuck
Trickster Story
by Jenny L. Davis
I’m going to tell you
a story about why the
Tricksters no longer
talk to each other.
They say long ago
that the animals used
to talk together, just
like people do today.
One day, Rabbit,
Coyote, Raven,
Spider, Buzzard
and Fox all took
seats around
a table together
for the first time
in a long while
eying each other warily.
Finally, Fox cleared
her throat and said,
Thanks for coming—
As you know,
the point of today’s
faculty meeting
is to decide who
among us gets a
merit raise this year.
Trickster Story appears in the Fall 2019 issue of North Dakota Quarterly
© Jenny L. Davis. All rights reserved.
Jenny L. Davis (Chickasaw) is a Two-Spirit/queer Indigenous writer and professor of American Indian Studies and Anthropology. Her creative work has been featured in literary journals including the Santa Ana River Review; Transmotion; Anomaly; Broadsided; and as well as anthologies such as As/Us; Raven Chronicles; and Resist Much/Obey Little: Inaugural Poems to the Resistance.
Author of Talking Indian: Identity and Language Revitalization in the Chickasaw Renaissance uapress.arizona.edu/book/talking-indian
I’m going to tell you
a story about why the
Tricksters no longer
talk to each other.
They say long ago
that the animals used
to talk together, just
like people do today.
One day, Rabbit,
Coyote, Raven,
Spider, Buzzard
and Fox all took
seats around
a table together
for the first time
in a long while
eying each other warily.
Finally, Fox cleared
her throat and said,
Thanks for coming—
As you know,
the point of today’s
faculty meeting
is to decide who
among us gets a
merit raise this year.
Trickster Story appears in the Fall 2019 issue of North Dakota Quarterly
© Jenny L. Davis. All rights reserved.
Jenny L. Davis (Chickasaw) is a Two-Spirit/queer Indigenous writer and professor of American Indian Studies and Anthropology. Her creative work has been featured in literary journals including the Santa Ana River Review; Transmotion; Anomaly; Broadsided; and as well as anthologies such as As/Us; Raven Chronicles; and Resist Much/Obey Little: Inaugural Poems to the Resistance.
Author of Talking Indian: Identity and Language Revitalization in the Chickasaw Renaissance uapress.arizona.edu/book/talking-indian
Archive | Author
Jenny L. Davis
#MyNameIsImmigrant—No. 3
Write
Write this down
My name is Maya Angelou
Daughter of Africa, Voice of America
The KKKs want to send me back
You may shoot me with your words
You may cut me with your eyes
You may kill me with your hatefulness
But still, like air, I’ll rise
Write
Write this down
My name is Ilhan Omar
Daughter of Somalia, Congresswoman of America
The President wants to send me back
You may shoot me with your chant
You may cut me with your lies
You may kill me with your bigotry
But still, like wind, I rise.
Write
Write this down
My name is Ping Wang
Daughter of China, Conscience of America
The President wants to send me back
You may shoot me with your defamations
You may trap me with your fabricated charges
You may kill me with your money and power
But still, in poetry, I speak
In poetry we speak
In poetry we break the cage and sing
Rise
Carrying our ancestors’ dream
We’re the purple of mountain majesties
We’re the waves of amber grain
We’re the wings of America
As we rise
To the halcyon skies
Wang Ping is a poet, writer, photographer, performance and multimedia artist. Her publications have been translated into multiple languages and include poetry, short stories, novels, cultural studies, and children stories. Her multimedia exhibitions address global themes of industrialization, the environment, interdependency, and the people. She is the recipient of numerous awards and is a professor of English at Macalester College and founder of Kinship of Rivers project. www.wangping.com
Archive | Author
Wang Ping
Broadcasting Beacon
by Alice Rose Crow~Maar’aq
Weaved through North
Arlington again
to reach a(nother)
long wait.
At a bank of inserted,
taxed, maintained
cross-lights on Benson
at Lois
—after a Loussac
library hold pickup and
early
evening Iñupiat oil inletside trail walk—
this gaze follows a
named next-next-next-next-hext generation.
A rubbernecking expat bicycler in-training.
Above, on a signifying chicken-type
A rubbernecking expat bicycler in-training.
Above, on a signifying chicken-type
wire-enclosed
footbridge with an accompanying mountain/wolf tooth pattern
—raising up then
pointing down—
a butt-ass naked
budding Brown woman gestures wildly as she hurries
across and back,
back and across.
A(nother) pacing
pacing
pacing
sentinel.
Traffic lights finally
try
change.
Too late to veer
east?
Swallow.
Follow
southeast.
Turn onto Lois then
signal
to maneuver across and
back. Check west and wait against a pulse of even more gawking passers.
Navigate to reach
Benson’s far north fourth/
third lane. Enter a
southern side lot
of a gentrifying spec
housing stock/customizing home constructor.
Park at the foot of
northern steps
where a burdened male
stands deciding what to do?
Emerge from a dusty,
pollen-strewn aging black Toyota sedan.
From the stairwell
base, he asks,
Do you have it
handled?
Raise myself toward a
fury of (yet) a(nother) ranting woman.
Ask that particular
questioning male,
Would you please mind waiting
to make sure I’m
ok?
Check both ears where
long, patiently heated and shaped swirls of copper exchanged during
a Friday evening stroll in Madison seven summers ago swing
swing
are swung.
Unlatch a front
door.
Take a
maybe-not-really-fading royal blue
—Cabela’s Made in
China Gore-Tex—
raincoat from a
driver’s seat and ready to begin this climb.
Just past a first
landing: a fallen scarecrow.
A tan cashmere-weight
—shiny
camel-lined—waistcoat,
a folded then knotted
bandana,
sweats, top,
undies,
a patterned pair
of
crew socks and canvas
sneakers,
an almost full thin
syringe beside a short stack of bright foil packets
neatly arrayed across
a southern side of an upper flight of northern cemented stairs.
Above, a woman’s voice
firmly announces,
I never wanted to get
married.
I never meant to!
Reach an overpass.
She is striding
with remnants of a naked brown woman’s body flowing below a full head of
streaky chemically coppered hair.
She
—still she—
advances
as I offer a
hand-me-down tax-deducted raincoat.
Are you ok?
Raising her voice she
makes her claim:
I’m interrupting her broadcast.
A screed?
Can’t you see I’m
BROADCASTING?
Yes, slowly I nod.
Broadcasting.
Where you from?
Are you ok?
NO.
She wants
—I want—
people to look and
see
what this city does to
People.
She paces, gesturing
across a nakedness
that is her own brown
—patchy discolored and
scarred—
yet still strong
body.
Aarpallruuq:
Look! LOOK!
See? SEE?
Look! LOOK!
See? SEE?
They need to SEE WHAT
EVE LOOKS LIKE.
HEAR WHAT IS BEING
DONE in this place. What they are doing TO PEOPLE HERE.
I AM EVE.
Look! LOOK!
I AM EVE.
Look! LOOK!
See? SEE?
Still—quiet—slowly I
ask, where you from?
Offer the Bishop
Attic’d
double zipped ykk
raincoat.
Couldn’t there be
—isn't there—
a better way
to solve problems we
find here?
How is this
helping?
Sweeping my right arm
across more imported cars steady streaming east on Benny Benson below,
suggest,
people passing can’t
hear hollered words
but some will want to
try call pole-ees
because they do (not
want to) see you
naked like this.
GOOD!
Cops could come take
me to jail
to make them all see
Eve
even if I have to do
it
ONE
BY
ONE.
Cocks then fires a
pointer finger trigger.
ONE TWO THREE...
Asserts I’m
taken over by evil, letting it—them—inside me.
Asks, why did
you let them inside?
Get them out.
OUT!
I pinch a scarred brow
and slow shake
my head. No.
More quietly now—
no.
Where you from?
Offer the fading royal
blue raincoat.
I would want you to
try help
if you saw me naked
and
talking like
this
but I do see
I can’t really help
you
like this
right now.
As I start down those
hard steps,
she turns to face
me,
drops a knee,
apologizes for
forgetting her manners.
I look up to her.
SORRY.
Sorry.
I mistook you for
somebody else.
You’re probably
married
and in bed by 9
and
don’t know what
happens at night.
Girls, kids are sex
trafficked...
She tells me her
English language name.
I smile. Reply
with mine.
Out of respect for X
and Y Z she says
I will cover myself.
Good, I say. Thank you.
Quyana.
She steps down,
bending to reach for
an outspread coat. Slowly turns each sleeve inside out,
saying something about
needing to do it like that because of how it was offered...
a man looking so
sad...sad.
The now not-waiting
man calls out,
I’m leaving now.
Pausing at a landing,
I gesture toward plastic syringe and packets to say, please don’t put
that shit in you...
Continue down. Reach a
bottom and thank the back of a quickly-walking-away man.
Thank you, sir,
I attempt.
Circle round to drive
away past a looking-down man now climbing into a low Audi
with its gleaming
overlapping four-ringed symbol of progressive engineering.
At the southbound
stoplight on Lois,
I look east to see our
latest kinswoman pacing across and back—
raging with nipples
bared in a manner of Pauline Opangu.
This time she
is inside a sheen of an inside-out sandy coat shielding her scarred still
strong aging Brown body.
Aarpagtuq,
aarayuli.
Her words are in my
ears as she shimmers in an evening sun echo-screaming, How many more Epsteins?
Why so many Acostas?
She is—we are—waning
and yet still climb above enemies on all sides, all around.
© Alice Rose Crow~Maar’aq
Alice Rose Crow~Maar’aq, was born for and raised on the Kusquqvak in
southwest Alaska. She nests in Spenard, a southcentral Alaska westwardly
neighborhood near water and take offs and landings. Ali is a momma,
granny, lover, ilung, relative, and friend. She completed an
Institute of American *Indigenous Arts MFA in Creative Writing under the
guidance of Chip Livingston and Elissa Washuta. Her longer works remain underway. In
them she explores dynamics of holding steady and moving forward in these times
of rapid change and anomie. For whatever it might be worth, Ali is a member of
the Orutsararmuit Native Council and is an original ANCSA Calista and Bethel
Native Corporation shareholder.
Archive | Author
Alice Rose Crow Maar’aq
Cesar Love Poetry
Inventory
I am removing items from my refrigerator
Cheeses that wouldn’t save
Vegetables that had hoped for another day
Strange meats forgotten in the attic
There is rancid stuff in jars
There is wilted stuff in baggies
I acknowledge them and say good-bye
In the basement
There is a unique kind of sweet potato
Which was given by a friend
I had forgotten about them both
Donut Shop
most customers order theirs to go
the glazed, the old fashioned, the maple bars
they take them in small white bags
the big orders in pink boxes
there are also patrons who order “for here”
they nest at the counter and at tables beside the window
daydreams floating like buttermilk bars
memories uncurling like cinnamon rolls
amusements twirl
ideas fancy as French twists
flavorsome steam ascends from the coffee pots
dark roast, kona, or hazel
refills on the house
© Cesar Love. All rights reserved.
Cesar Love is a Latino poet influenced by the Asian masters. A resident of San Francisco’s Mission District, he is also an editor of the Haight Ashbury Literary Journal.
He is the author of Birthright and While Bees Sleep.
cesarlovepoetry.yolasite.com
I am removing items from my refrigerator
Cheeses that wouldn’t save
Vegetables that had hoped for another day
Strange meats forgotten in the attic
There is rancid stuff in jars
There is wilted stuff in baggies
I acknowledge them and say good-bye
In the basement
There is a unique kind of sweet potato
Which was given by a friend
I had forgotten about them both
Donut Shop
most customers order theirs to go
the glazed, the old fashioned, the maple bars
they take them in small white bags
the big orders in pink boxes
there are also patrons who order “for here”
they nest at the counter and at tables beside the window
daydreams floating like buttermilk bars
memories uncurling like cinnamon rolls
amusements twirl
ideas fancy as French twists
flavorsome steam ascends from the coffee pots
dark roast, kona, or hazel
refills on the house
© Cesar Love. All rights reserved.
Cesar Love is a Latino poet influenced by the Asian masters. A resident of San Francisco’s Mission District, he is also an editor of the Haight Ashbury Literary Journal.
He is the author of Birthright and While Bees Sleep.
cesarlovepoetry.yolasite.com
Archive | Author
César Love
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