Pick a Garnet to Sleep In

by Kim Shuck

We are hunting the graveyards and 
Practicing fly-casting off of the roof at 4am 
It must be summer 
I paint the symbols on my feet 
Study the evolution of bats and 
21st century poetry of the 600 block of Chenery 
Oh child 
I braid you into my hair most days 
And I’m the only one who can read you there 
But then 
We are descended from the symbolic dead and 
I’m becoming the old woman out of those stories 
If not as quickly as I’d hoped 

Copyright © 2024 Kim Shuck. All rights reserved.
 
Kim Shuck loves fiddling with words and puzzles and stones. Shuck served as the 7th Poet Laureate of San Francisco and is still recovering. Her latest book is Pick a Garnet to Sleep In.



Yugtarvik: A Tʌndrə’d Glimp

by Alice Rose Crow ~ Maar’aq 
 
Alice Rose Crow ~ Maar’aq is among the kass’ayagat of the Kusquqvaq diaspora. She is an independent maker based in Anchorage, Alaska. For the Covid-19-year of 2021, the Anchorage Museum at Rasmuson Center invited Alice to curate a series of creative interpretations to augment ongoing efforts to examine archived collections. A mutual and consolatory goal is to bring attention and reflection to little known and overlooked elements living within the Anchorage Yugtarvik.3 An inclination is to keep stepping toward broadened and deepened groundedness, mutual acknowledgment, contemplation, engagement, understanding, deep dialogue, and sharing among First Alaskans, relatives, migrants, expats, and allanret4 across generations, languages, and amid evolving cultures, technologies, and world views. 
 
Her mixed form 2021 collection commissioned by the Anchorage Museum,Yugtarvik: A Tʌndrə’d Glimp, is available via the yugtarvik’s website.

Yugtarvik: A Tʌndrə’d Glimp is also available for direct digital download: 

Unpapered: Writers Consider Native American Identity and Cultural Belonging


Edited by Diane Glancy and Linda Rodriguez 


Unpapered is a collection of personal narratives by Indigenous writers exploring the meaning and limits of Native American identity beyond its legal margins. Native heritage is neither simple nor always clearly documented, and citizenship is a legal and political matter of sovereign nations determined by such criteria as blood quantum, tribal rolls, or community involvement. Those who claim a Native cultural identity often have family stories of tenuous ties dating back several generations. Given that tribal enrollment was part of a string of government programs and agreements calculated to quantify and dismiss Native populations, many writers who identify culturally and are recognized as Native Americans do not hold tribal citizenship. 
 
Unpapered charts how current exclusionary tactics began as a response to “pretendians”—non-indigenous people assuming a Native identity for job benefits—and have expanded to an intense patrolling of identity that divides Native communities and has resulted in attacks on peoples’ professional, spiritual, emotional, and physical states. An essential addition to Native discourse, Unpapered shows how social and political ideologies have created barriers for Native people truthfully claiming identities while simultaneously upholding stereotypes.

River, Blood, And Corn Literary Journal: A Community of Voices

Copyright © 2010-2025. Individual writers and photographers retain all rights to their work, unless they have other agreements with previous publishers.We do not accept unsolicited manuscripts.