River, Blood, And Corn Literary Journal

Manufactured Stress and Prayers for Peace

by Alice Rose Crow Maar’aq

Manufactured Stress

Manufactured stress creates false anxiety

to do their work

They watch through one-way glass

as you tire on the exercise wheel

first patented generations ago (on mice)

Add enticers to help you

Concede you prefer their bidding

Soon I hear you blubber

it was your idea all along

Your iluraq say they inherited positions

on the grind from our ancestors

long to believe you carry Tradition

when proudly raising an Indigene flag

If history began today

what would those anthropologists observe of you?

What do our children see?

Smile for their cameras

II.

Back then I mopped floors

tried scrubbing away the old stain

of muddy feet trekking to the mouse room

a kind of one-way mirror

They didn’t see me

I saw them emerge from their watch room

one paid the other for a bet made over you

He cashed in

when she said they could make you spin fastest

to the beat of their drum

Prayers for Peace

The wind carries prayers for peace

in winter prayers sting like the biting north wind

meet exposed tear-stained cheeks

Tears freeze and are wiped away

Prayers are heard

After the cold we go to our river

where prayers do not meet deaf ears

Alone we cannot send the ice to sea

Our faith is measured when every spring

what’s frozen becomes dangerous

rots

and is sent away

“Manufactured Stress,” “Prayers for Peace,” “Ilumun No. 1” first appeared in Frontiers: A Journal of Women Studies (Volume 23, Number 2, Special Issue: Indigenous Women, University of Nebraska Press). 2002.

ABOUT THE AUTHOR:
Alice Rose Crow~Maar’aq was born and raised on the Kusquqvak insouthwest Alaska and nests in Spenard. Her work appears in the Brevity blog, Camas, Yellow Medicine Review, River, Blood and Corn, Retort, Frontiers, and Standards. Her book-length collection, An Offering of Words, is well-underway. Crow works with Chip Livingston and Elissa Washuta to earn a seat as a member of the inaugural class of the Institute of American Indi(genous)an Arts low-rez MFA in Creative Writing Program. She is a member of the Orutsararmuit Native Council and is an original Calista and Bethel Native Corporation shareholder.

Something to Do on a Dark, Windy Day

By Michelle Pichon

When the day is dark

and the wind is blowing

hard and continuously

through the trees

bending them

like blades of grass

go outside

close your eyes

and imagine the sound

is a crowd

screaming

cheering

just

for you

moons and flowers bloom

I held your hand

and you felt something

alive in me

your blind eyes saw beneath my skin

what I was not ready to perceive

your glowing face and shining laughter

embraced the light in me

and blessed it with your touch

I held your hand

and felt your moon

alive in you

alive in me

your blind eyes masking your real sight

where visions are bright

and dance and sing in chorus

all around you

we held hands

and flowers grew between them

you said it was good

and I finally saw it too

Michelle Pichon is a Louisiana Creole with roots in Slidell and Isle Brevelle, Louisiana. Teaching English at Northwestern State University is her bread and butter but poetry is her chocolate cake and Sauvignon Blanc at the end of the day. She has previously been published in Country Roads, Xavier Review, and Louisiana English Journal. She is co-founder of Down River Art Gang (DRAG) where she and her friends put on killer multi-cultural, multi-genre art shows and other events.

You can follow Michelle on Tumblr http://mpichon.tumblr.com

Artichokes and Jade Bones

By Kim Shuck

We run along the coast our

Kid feet still wet with

Willingness we

Run alongside the

Staccato rails that

Vanish and appear in

Tufts of indigenous

Shrubs and stands of weed

Eucalyptus we

Strawberry and

Artichoke we

Chase flotillas of

Brown pelican and

Dance to our own childhoods

Of beach and driftwood not

Replanted here but of this

Strange and colonial

Place so

Surface patchwork but the jade

Bones show the tossed

Stone chewed to cheese by olive

Mussels it's a

Generous place if

Sometimes sleepy and this

Fog sings old songs too

ABOUT THE AUTHOR:

Kim Shuck had a busy year in 2014. She had two major publications: the full length Clouds Running In from Taurean Horn Press and the Chapbook Sidewalk Ndn from FootHills Publishing. She had four poems nominated for Pushcart Prizes, both from Taurean Horn and from West Trestle Review.

Kim also taught the usual joyfulness of second graders and fifth graders, a joyfulness being her suggested collective noun for fantastic students one of whom drew this portrait.

www.kimshuck.com

Homeland Insecurity

By Dawn Downey

I struggled for balance as the tide sucked the sand from under my feet, wrapping kelp around my ankles. The receding surf blanketed my toes with foam and left them icy, even as the setting sun warmed my shoulders. Gulls screamed at dogs let loose by their owners. I backed away from the water and strolled uphill to join my best friend Angie at a picnic table in the grass.

We were spending the night on East Beach with her siblings and her cousins who had driven up from Mexico. We had a job to do: stake a claim on a spot for the following day’s Fourth of July gathering. Mothers and abuelas from different families would arrive early in the morning to cook chorizo and eggs, but the night belonged to us teenagers. We danced, gossiped, and smoked pot. I flirted with Angie’s cutest cousin. We wandered along the beach to see who else was camping out. Mariachi music drifted from a car stereo. When we finally crawled into our sleeping bags, stars were poking through an inky sky. I pulled the bag tight against the cold California night until only my eyes were exposed. Phosphorescent waves rolled in, as sparks rose from our fire pit along with the scent of burning wood. An occasional snap broke the lull of the ocean’s roar.

That summer in high school, the cadence of Spanish came as easily to my tongue as English did. Lying on the beach with Angie and her cousins, I scrunched into the sand until it conformed to the contours of my body. They were my tribe, the beach our homeland. But it was a borrowed sense of belonging. It receded when our friendship ebbed.

This morning, I planted nine seedlings
in a strawberry pot, seeing,
instead, the lane leading up to the farm.
If you can’t go home again then why
do I go home so often? Why trace
my bloodline down the side
of a red clay pot?
–––From A Red Clay Pot, by Janet Sunderland

When I was a child, home was a bright yellow two-story in Des Moines,. A brick sidewalk led up to our screened-in front porch, which offered scant protection from mosquitoes or june bugs. Dad hung a razor strap on a hook beside the door between the porch and the living room, warning my siblings and I to stay on our best behavior.

I suppose we farmed a bit––helped Mama pick rutabagas and dandelion greens for supper. Hard packed clay soil poked my knees. Sweat traced lines down my forehead, the salt stinging my eyes when I wiped it away. Mama studied the Burpee seed catalog at the kitchen table and planted marigolds, but our yard was more arsenal than farm. It grew snowballs, rocks, and buckeyes, which bullies threw at my head. After ten years in Des Moines––I was fourteen at the time––Dad moved us out to California. The brick sidewalk leading up to the yellow house did not burn an after-image in my heart.

Home was a place I could not fathom, the mythical Land of Oz, instead of the farmstead Dorothy tried to get back to.

I spent five winters in Minneapolis with my first husband. On the February day we first pulled into town, the temperature dipped well below zero, yet joggers and bikers in brightly colored tights crowded the trail around Lake Harriet. An environment that froze your nose hairs from October to May could not be ignored. You had to come to terms with it, or else build your life around hating it. I adapted. I learned to navigate downtown skywalks. I learned the value of front wheel drive and a manual transmission. Mastered plowing my Honda CRX through bumper-deep slush. Prided myself on the ability to take off from a stop sign at the crest of a slippery hill. Those were the survival techniques of a foreigner. Locals, on the other hand, traced their bloodlines in the rituals handed down by the tribe. Certain behaviors defined fitting in. Ice skating. Ice fishing. Ice sculpting! I signed up for a class, but failed to master staying erect on cross-country skis, atop snow crusted over with ice. I could not discern the names of the people leaving messages on my office phone: Lena Larsdatter, Hans Helland, Tormod Oefstedal. And what was a hotdish?

For every house I’ve called home, I did not go home again. Iowa, California, Oregon, Minnesota, Missouri. A roll call of places where I failed to set down roots. A litany of states describing a single state of mind: outsider.

I’ve been in Kansas City thirty years, certainly long enough to develop an attachment, but by the time I’d moved to my suburban split-level, a wary relationship with place had already set in. I planted marigolds in red clay pots around my patio, in a simulation of homestead, but when I leave for a daily walk, neither pots nor patio linger in my mind’s eye. The front steps cease to exist as soon as they're behind me. I don’t look at my street and see the snow packed lanes of Minneapolis. And nothing pulls me back to Santa Barbara’s shoreline. I live near a wooded area crisscrossed by blacktop trails. A deer once startled me on a day I’d braved our miniature forest. She stood at attention a few yards away, her head lifted in my direction. We eyeballed each other and then she stepped daintily into the brush. I envied her sure-footedness, the way she seemed to know where she was headed and where she’d come from. The environment looked opaque to me.

ABOUT THE AUTHOR

Dawn Downey is the author of “Stumbling Toward the Buddha: Stories about Tripping over My Principles on the Road to Transformation.” An essayist, Downey finds inspiration in everyday situations. Topics under her scrutiny range from her pursuit of the perfect purse to her search for the meaning of life. Toss in jealousy, prejudice, guilt, and inadequacy for good measure. Thanks to a spiritual path that winds through the teachings of the Buddha and around to non-duality, she now enjoys a kinder, gentler relationship with her eccentricities.

Downey’s essays have been published by The Christian Science Monitor; Shambhala Sun; Skirt! Magazine; Kansas City Voices: A Periodical of Writing and Art; and The Best Times. Her work is anthologized in Alzheimer’s Anthology of Unconditional Love: The 110,000 Missourians with Alzheimer’s; My Dad is My Hero: Tributes to the Men Who Gave Us Life, Love, and Driving Lessons; and the Cuivre River Anthology. Her writing has earned awards from the Missouri Writers Guild, Oklahoma Writers Federation, Northern Colorado Writers, and the Santa Barbara Writers Conference. She lives in Kansas City with her husband, Ben Worth (aka publisher, roadie, and driver). He spoils her rotten. She reciprocates. Read her weekly blog at www.dawndowney.com

Manufactured Stress and Prayers for Peace

Something to Do on a Dark, Windy Day

Artichokes and Jade Bones

Homeland Insecurity

River, Blood, And Corn Literary Journal: A Community of Voices