All-american Gong Girl

By Deborah Jang 

Eldest daughter of Gong Chow and 
Siu Shee, immigrant couple from China. 
Born in Richmond, California, north 
of San Francisco, just across the bay. 

Named Fong Yuet for the ancestors. State- 
side she was June. To me, forever Mom. 
Fireworks the night before announced 
her arrival July fifth nineteen thirty. 

Every Independence Day she felt pangs 
of affirmative glee -- as if she belonged. 
At least to the sky. At nine she was sent 
to Chinese school in San Francisco, 

an immigrant custom she soon rejected. 
She hopped on the Greyhound bus alone, 
rode home to her parents’ chagrin. 
At Richmond Elementary she joined

the harmonica band, worked the restaurant 
after school, did not miss a shift. 
During wartime the family moved 
to the valley, where June was a big hit. 

Team debater, class treasurer, best-dressed 
girl at Merced High — she had it going on. 
Chinese pilots training at the air base 
lined up for her dance card. She tango’d, 

cha-cha’d, bunny hopped with gusto 
and soft laughter. Got a job downtown 
Merced selling ladies dresses. Took up with 
the owner who promised to promote her. 

Post-war, Gong Chow had made plans 
to return to China. The story goes June 
said NO, kept her little sister with her 
while the ship dipped off horizon.

June and sis stayed with Monroe, the now 
betrothed store owner. He promised 
her folks his good care but didn’t really 
follow through, so June then divorced him 

Though not before the three of us claimed 
her heart forever. Dave Allen was the next guy. 
With him she bore two more sons, of Chinese 
Irish extraction. Bridge clubs, soccer, 

cul-de-sacs filled her American sky. Especially 
on July fourth her urgent eyes scanned 
the night for oomph pah pah, or maybe 
something keener. By now we lived back 

by the bay. It was the flowered sixties. 
Her five young grew out their hair, 
while she and Dave plied the days 
with good times, hard work, harder drink. 

He died young, she carried on, the children 
ventured forth. Her last man was Ken Wilkins, 
though there were others in between - all this 
to say, she enjoyed the company of fellows. 

When Ken passed it hit her hard. The children 
couldn't save her. At sixty-two June was through. 
We sprinkled her at sea. I strike the gong. 
It rumbles wide, ripples up night sky. 


Where do the good, kindhearted go? 

To lipstick smiles 
left on napkins perfectly 
half stuck on rims 
where gin and tonics flowed 

Gliding long as fingertips 
that tucked me into cool 
crisp sheets in days when sleep 
was easy, a keeper 
of shy adorations 
nestled in young motherlove 

Arpege, Pall Malls, show 
tunes, novels, husbands 
in a row, loud laughing 
midnight parties 
turned to shouting 
or big whispers 
then to fragile mornings after 

Scrabble, dim sum, Niners,
grandkids 

Now to ashes dancing 
at the gate, not 
missing one last beat. 

© Deborah Jang. All Rights Reserved. 


Deborah Jang writes her way through the mysteries, perplexities, and joys of being human — on this planet, at this moment, in this skin. She is also a visual artist, engaging connection through forms and objects. She wanders between Denver, CO and Oceanside, CA; between mind and heart; between land and sea. She invites you to visit her website at deborahjang.com

Crow Quotes Revisited

by MariJo Moore


Many years ago, I had a premonition of starting a little publishing company, and so I did. Crow Quotes was the first book published by rENEGADE pLANETS pUBLISHING. This was in 1996. At the time, I was admonished for being a self-published writer; one well-known book reviewer refused to review my books because of this. My, my, how times have changed. I have always been a bit ahead of my time. (The first edition of the book was published on hemp.) 

So it goes. Through the past years I have written many other books: novels, poetry, fiction, non- fiction, and edited several anthologies of Indigenous writers, all which have been teachings and sharings. However, Crow Quotes has always come back to my mind, in bits and pieces of the quotes, reminding me so much about life. And by receiving, even recently, letters and emails from readers who relate how have they kept this little book by their side, relishing the quotes - some over twenty years. 

Several months ago I was given another premonition - it was time to offer Crow Quotes again. Time for the book to expand and reach out into the world in a new format. And so I have. Thus, Crow Quotes Revisited. 

Sample of quotes:

"Keep in mind you are a part of the whole. 
 The future is planted within you." 

"Want to confuse a crow? 
Try explaining human religions." 

Cover art by noted Pueblo artist Virgi Ortiz. 

For more info and to order, please visit www.marijomoore.com/booksandart.html 

Thank you for supporting an independently owned company. 

MariJo Moore 
www.marijomoore.com

Art Works


by Robert Bensen

            Sara Bates, “Honoring Circle” (sculpture)
            1
            Before a shop built downtown sealed over a spring and a little creek,
excavation turned up the bones of a man, his pipe and some shards of clay
            that came from this embankment above the Susquehanna—
clay that made the brick that made the shop that hides the creek
            that flows through pipe that’s made with clay that made the pipe they dug
beside the man they found not long ago, long after he had turned to clay.

            2
If spirit lives in everything and everything in spirit
            then the young woman with a virus raging in the head
who has fallen asleep beside Sarah's “Honoring Circle” while the rest write
            may have dreamed herself one day as pleasant as this
beside a pretty little creek above a bluff and drank from its talkative source
            in the warmth of a complicated sun, an agitated sun
flaring with seeds and pods and leaves and shells and petals,
            a composed sun from whose center the crossed roads carry
what they always carry down their seven shining paths
            until the red sun of evening stripes her face
and she flutters awake to find herself alone
            with this work, this disk of gifts on the floor, walk about
and wonder what on earth she saw in it, and what she sees. 

 An excerpt from Before by Robert Bensen
© Robert Bensen. All rights. Reserved.

Robert Bensen has published six collections of poetry, including Orenoque, Wetumka & Other Poems, and Before. His work has earned an NEA poetry fellowship, the Robert Penn Warren Award, the Harvard Summer Poetry Prize, and Illinois Arts Council and NY State Council on the Arts awards. His scholarship in the Caribbean and Native America has produced essays, studies, and editions, won fellowships from the NEH and Newberry Library, and led to teaching in St. Lucia, Trinidad and Tobago, and Venezuela. He is the editor of Children of the Dragonfly: Native American Voices on Child Custody and Education. He is Emeritus Professor of English at Hartwick College (1978-2017).  He teaches at SUNY-Oneonta, and conducts a poetry workshop at Bright Hill Literary Center, Treadwell.

River, Blood, And Corn Literary Journal: A Community of Voices

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