Dawn Downey on How to Survive Christmas Alone

December 17

Pull the covers over your head to block the morning light, and rest in the spot where your husband ought to be. 

Remember sitting here in bed beside him, propped up with pillows, a map spread between you. You had traced the highways and picked the overnight towns between home and the retreat center out east, where you had planned to spend the last two weeks of the year. It turned out you had wanted to stay home. It also turned out Ben had still wanted to go. Ordinarily your disagreements ended with one of you saying I don’t feel strongly. Let’s do what you want. This one had ended with him standing quietly in his truth and you standing quietly in yours. Remember how your certainty had caught you off guard. 

Wince at the prize you’ve won by standing in your truth: Christmas Alone. Your family spread across the country and you without a plane ticket, your friends with families of their own and you without an invitation. 

Think about being one with what-is. 
Think about surrendering to each moment. 
Think how un-enlightened you are. You don’t want to be one with Christmas Alone. 

Suspect if you were a better person—generous, kind, considerate—invitations would flood your email and your voice mail. 
Get out of bed and check your voice mail. Feel ridiculous. 
Eat breakfast. Write. Eat lunch. Write. Eat dinner. 
Drive to yoga class. 

On your way home, curse the shortened winter days. Curse the dark driveway. Curse the gloomy house. Fumble with the remote control. The garage door groans open. Hesitate as the car idles. Idle with the car. Once inside the garage, pause before pushing the button to close the door behind you. Before crossing the threshold into the house, pause again, one hand on the doorknob. 

December 18
An out-of-town friend calls. Recognize her country-singer drawl and calculate: she lives by herself four hours away; you could visit her, stay overnight, return on the twenty-sixth, the whole Christmas Alone problem solved. 

A country-singer drawl cuts through your calculations. Your friend is worried her forgetfulness is turning into Alzheimer’s. She’s panicked she’ll be trapped inside her mind, inside a nightmare. 

Remember your grandmother. Fighting with the lock on the front door. She’d tugged the handle, and the deadbolt had banged against the door jam. Her boney fingers had stuck out from the sleeves of a jogging suit, and the pants were falling off her skinny bottom. 

“Where you going,” you’d asked. 
“Home,” she’d said. 
“You are home.” 
 A country-singer drawl cuts through your memories. You should console your friend, but instead think at least you’re not afraid of Alzheimer’s. Feel un-enlightened. 

December 19
Make a joyful noise at Second Baptist Church. “Hark the herald angels sing, glory to the newborn king.” Pat your feet. Sing off-key. Feel both anonymous and essential. 

Twin girls read the announcements in high-pitched pubescent voices. The church is providing dinner for anyone who’s Alone On Christmas. Laugh when the pastor interrupts the twins, “Don’t get between me and the sweet potato pie.” 

Remember sweet potato pie, cinnamon and clove on your tongue. 
Imagine little boys in grown-up suits and red bow ties. Imagine old women clucking at you to “fill up your plate, child, you ain’t bigger than a minute.” 

Jot down 3:00 Xmas dinner on the back of the worship program, and stick it in your purse. 

Hum to yourself all the way down the church steps and across the parking lot, waving goodbye, God bless. 

Remember your house. It lies in wait, slack-jawed, ready to suck you into its belly. 

Drive to Target. Pretend you don’t see the Salvation Army bell ringer. Push a squeaky cart toward cosmetics, while Bing Crosby drones on about a white Christmas. Pick up a bottle of lotion. Set it back on the shelf. Pluck a cardigan from the sweater rack. Return it to the rack. Inspect a pair of headphones in electronics. Set them back on the shelf. Jimmy Stewart plays on the big screen televisions. Half a dozen Jimmy Stewarts handing out cash to the bank customers. You’re annoyed. Buy dental floss. 

At home, discover eBay. Bid on a coat you’d tried on at a department store but were too cheap to buy. Search the Internet for yoga tights. Search for luggage. Feel the life force leech out through your fingertips. Search for headphones. 

Slam the laptop shut. 
Scream, “What are you doing?” 
Try to recall the rhythms of your weekly routine. Check your calendar for last Sunday. Nothing’s listed, because Sundays are free days. You don’t feel free. 

See your grandmother fighting the front door. 

December 20
Stick a note on your laptop: no Internet shopping today. 
Eat breakfast. Check your eBay bid. 
Pick up War and Peace where you left off last month. You don’t recognize the characters. You can’t tell whether they’re at peace or at war. 

Meditate. 
Fall asleep. 
Read. Fall asleep. 
Go to bed at 7:00. 
Don’t fall asleep. 
You have no reason to sleep, read, or meditate. 
You have no reason not to. 
Hop out of bed at 8:00. Run the dishwasher. Mop the kitchen floor. Write a check for the water bill. Lay the pen gently on the counter. Whisper, “What are you doing?” 

December 21
At 2:00 AM throw a down coat over your pajamas and venture onto the patio to witness the eclipse of a blood moon on Winter Solstice. An icy breeze bites your ankles as patchy clouds drift across the heavens. The clouds part and then close. Part and close. Dissipate and reassemble. Each time, the moon re-emerges as an ever-thinner crescent, until the final sliver disappears. 

Witness yourself on the patio, in the middle of the night, alone, and calm. Feel yourself dissipate and reassemble. 

Go back to bed. Get up again at 7:00. Decide to do something fun today. Try to remember fun. Draw a blank. 
Check your eBay bid. Search online for yoga tights. Search for luggage. Search for headphones. Read celebrity gossip. 

December 22
Attend your Wednesday night book group. They’re surprised to see you. Your Catholic friend says, “Thought you were on retreat with Ben.” Remember how welcome you feel at her place. Ask what time she’s having Christmas dinner. Paste a fake that’s-great expression on your face when she says, “I’m not. I’m going to my sister-in-law’s.” Feel like a cage door has slammed shut behind you. 

Call your out-of-town friend; anticipate her country-singer drawl. 
She’s four hours away and at the same time right there in the palm of your hand. 
She tells you her girlfriends are all going away for the holidays this year. You laugh ironically at how the universe is handing both of you Christmas Alone. Say, “If the weather’s okay, I’ll come down.” Fail to appreciate the irony when she says, “I won’t be here. I’m driving to Little Rock tomorrow.” 

December 23
Check your eBay bid. You win. The coat is yours. Feel triumphant. Feel let down. Insist on fitting entertainment into your day. Write a To-Do list: art museum, grocery store, bank, drug store. You hate all that running around. Scribble out art museum. 

Check the forecast. The weatherman is wearing a Santa hat. He says snow all night tonight and all day tomorrow. He looks proud of himself. Curse the weatherman. Curse his Santa hat. Dig the worship program out of your purse, with its 3:00 Xmas dinner note. Toss it in the trash. 

Grab the grocery list, and point the Honda toward the store. Let the car take you to the art museum. Find yourself in front of “Mill at Limetz.” Find yourself in front of “Guanyin of the Southern Sea.” Feel content. Find yourself confused trying to exit the parking lot. 

Navigate through stacked-up traffic on your way to the store. Feel the drivers lean forward against their steering wheels at the red lights. Only two shopping days left! Everything must go! Sleigh bells ring, are you listening? You’re not part of it; you’re an alien floating in an alternate space-time continuum. 

Park, and float across the lot. 
Pretend you don’t see the Salvation Army bell ringer. 
Notice the turkeys and hams and tubs of whipped cream in the other carts. 
Toss your bag of frozen dinners into your back seat. 
Loneliness encases you like a casket. The casket walls press against your arms and the top of your head. Feel the coffin lowered into the ground, shovels of heavy dirt raining down on the lid. You can’t see. You can’t breathe. You don’t want to. 

After a block, that whole feeling evaporates. Your car is in drive, but your body and mind are in neutral. 

Pull into your driveway and discover you left the living room light on for the plants, and now the interior is backlit through the etched glass of the front door. Notice the sight of it feels like opening a present to find exactly what you wanted. 

Every few days, your phone rings. Expect it to be Ben, even though there’s no cell phone service where he is. Think this is what it will feel like, if he dies before you do. 
Lie in bed, read, feel drowsiness coming on. Nothing happened today. No museum. No grocery store. No today. There is only the bedroom. Right before sleep descends, understand there’s no bedroom. 

December 24
Fold clothes that are bunched up at the foot of the bed. Vacuum. Sweep away a cobweb from the ceiling near the window. Dust the nightstands and the headboard with lemon oil. Take a whiff. So clean. 

For dinner, treat yourself to pizza and a fire in the fireplace. Pop a movie into the DVD player. After the credits roll, you don’t want to go upstairs to bed. The flames flicker and wrap a smoky scent around you. You want to linger. Stretch out on the couch with a book. Let your fingertip relish the soft edges of the pages. Ask, “What are you doing?” Sleep there, in front of the fire. 

December 25
Bundle up for your morning walk. It’s only fifteen degrees. Even though there’s no snow (curse the weatherman for making you worry for nothing), marvel at the stark beauty of winter. Naked branches of oak and cyprus trees, evergreens poking into a steely gray sky. The shocking quiet in the middle of the city. Feel the urge to tiptoe. 

You stop abruptly further down the block. Someone has parked too many cars in their driveway. Your tidy neighborhood usually has nothing out of place. Two-car garages. Two cars per house. Weave a C-shaped path around the cars, into the street, and back onto the sidewalk. 

Wait. Turn around. One, two, three—six cars. What’s going on? Football party so early in the morning? 
Family visiting … from out of town. 
Realize: today is … Christmas. 
Wonder when it happened. Was it Christmas before the overflowing driveway, back there under the steely gray sky, beneath the naked oaks? Did Christmas arrive in one of those six cars? 

Picture the travelers crowded into the house, children in sleeping bags on the floor near the tree. Are they awake yet? Are the parents saying wait ’til after breakfast, honey? 

Realize Christmas arrived when you painted that picture. 
Feel calm. 
Remember when your grown siblings came home to your parents’ house for Christmas. 

Try to hear the word honey. Hear your father ridicule your brother because the handcrafted rug he designed for your sister is taking too long to finish. “You planning to give it to her next year?” Hear your mother count the presents she’s bought for each member of the family, because “somebody complained about getting fewer than everybody else.” Hear the handcuffs snap around your cousin’s wrists, the cops helping your father teach her a lesson for hot-wiring your car, even though you didn’t press charges and your mother’s crying “Bill, don’t do this.” 

Realize the Christmas you miss never existed. 
See your grandmother fighting the front door. 
“Where you going?” 
“Home.” 
“You are home.” 
Walk back to your house on this ordinary day. 
Wash clothes. Write. Play a Bob Marley CD. Sing off-key. At bedtime, watch a funny movie. 
When it ends, sob. 
You speculate you killed Christmas, and you’re grieving its loss. Then speculate you’re grieving the loss of a past you never had. Sense it doesn’t matter. 

Blow your nose. 
Picture Ben on retreat, meditating with the other retreatants under the gaze of a golden Buddha statue. Say, “Night, Sweetheart. I miss you.” 
Catch a faint scent of lemon oil. Take a whiff. So clean. 


© Dawn Downey. All rights reserved.


Dawn Downey is the author of From Dawn to Daylight: Essays and Stumbling Toward the Buddha: Stories about Tripping over My Principles on the Road to Transformation. Publications featuring her work include Persimmon Tree, Kansas City Voices, and Skirt! Magazine. She lives in Kansas City. 

Connect with her at dawndowney.com

Cesar Love Poetry

Black Molasses 
by Cesar Love

Light cannot pass through me
I swallow every spark
I put out each candle I smother the streetlamp
I douse the lighthouse

The moon, the sun, and the day
Down they go in my distillery
Everything bright milled by my night
There I make them black like me
There I make them pure like me

When I am ready, I make the world sweet
Give me flour, I make gingerbread
Give me water, I become rum
Give me an audience, I become music

I am black molasses
I go the speed that I choose
They say I move slow, but really I move free
In this sugar, you meet freedom
In this, sugar, you become four-alarm cool
The bongo of minutes, the gong of the hours,
Simple flickers on the still of your soul

"Black Molasses" was previously published in Birthright by Cesar Love
© Cesar Love. All rights reserved.

Cheekbones 

The handsome Native
His cheekbones are not chiseled
He is not made of granite
He is not made of marble

The handsome Native
His cheekbones are flesh and bone
They have felt hurricanes
They have met tornadoes

The handsome Native
His face fathoms all weather
He has withstood hatred
He has withstood other small winds

© Cesar Love. All rights reserved.

Cesar Love is a Latino poet influenced by the Asian masters. A resident of San Francisco's Mission District, he is also an editor of the Haight Ashbury Literary Journal. His latest book is titled Birthright. His previous book While Bees Sleep was published by CC. Marimbo Press. cesarlovepoetry.yolasite.com

Trouble Song

by Kim Shuck

Take hold of your stubborn
Twine fingers in your defiant
Dig in
Breathe deep into your
Creative 
Make space for your heartbreak but let it start healing
We were walked from the east
We were packed into ships
We were sold by our families
We were illegal
We were hunted
We are here
We are always
We are
Aways
Sing that restless patience
Our inheritance
Take hold of hands
Take hold of your stubborn
Take hold
Take care
Take caring
Self brightly
Group with care
Hold tight and sing

© Kim Shuck. All rights reserved. 

ABOUT THE AUTHOR: Kim Shuck is feeling very scattered these days among the Executive Orders and banishments. She teaches 2nd graders most Thursdays, 4th graders some Wednesdays and college undergrads on Fridays. At other times she tries to reweave the fraying webs of communities that she loves. As for poetic qualifications… magazines, anthologies, solo books awards… degrees… years of working in the poetry mine. In 2017 Shuck was appointed to serve as San Francisco's next Poet Laureate. www.kimshuck.com


Loosening Our Tongue

By Rain Prud’homme-Cranford (Goméz), Ph.D
These are things I need to say:
but language and words 
were ripped from my tongue 
Residential school 
Jim Crow feather
soldiers swarming 
our land our homes 
uprooting us from soil
 
roots dangling 
string fingers 
clinging to clutch 
clumps of Earth
These are things I need to say:
but mouth is dry 
arid fragile skin
opens bleeding
hollow space between 
tongue and teeth cracks 
from drought 
from poison water
These are things I need to say:
ancestors circle round
pepper spraying police 
choking our 
relatives’ throats
 
reaching to hold water 
slipping through fingers 
toes digging into 
brown dirt
These are things 
we need to say

Sing us home 
shatter violent silence 
come down rain 
churning rivers 
ocean waves
We ride a tempest of 
surging water

#WaterIsLife #RezspectOurLandbase #StandingRock
©Rain Prud’homme-Cranford 2016

Rain Prud’homme-Cranford (Goméz), Ph.D., is a“FatTastic IndigeNerd,” an Assistant Professor of Indigenous Literature in the Department of English and Affiliated Faculty in the International Indigenous Studies Program at the University of Calgary. A Poetry Editor for Mongrel Empire Press (MEP) and an Editorial Board member for The Journal of Louisiana Creole Studies.

Rain won the First Book Award in Poetry from NWCA (2009), for Smoked Mullet Cornbread Crawdad Memory (MEP 2012). Critical and creative work can be found in various journals including: The Southern Literary Journal, Louisiana Folklife, Undead Souths: The Gothic and Beyond (LSU P), Mississippi Quarterly, Tidal Basin Review, Sing: Indigenous Poetry of the Americas, As Us, Yellow Medicine Review, and many others.

Rock Collection

By César Love

I seek escape, not in smoke
Not in drink
But in rocks I’ve gathered

None are boulders, few are pebbles
The perfect mass gorges my two hands

Hardness is my comfort, density my high.

The Black One brings me to outer space
The Purple, a utopian palace
The Orange, a feast devoured slowly
The Grey, a ferry to oblivion

My comedown is softness
Reality, a sinkhole in feathers

Below my pillow
I keep an opal


Always the Land

When the storms end, he is quiet to all but the deaf

Many hear the whispers of streams, the mumbles of rivers 
But below the threshold of a lapping pond
There are sounds as soft as a tadpole’s heartbeat

At volumes quieter than grass
The land delivers a wordless sermon
You are free to leave before the end, for the sermon has no end

Can you bear the spastic stillness?
If you can listen for ten minutes, you are free to ask a question.
If you can listen for an hour, you can ask for anything you need.

Ask what about your bees?
The trellis on your porch, broken by the eight-foot weeds
It’s painted and repaired, ready for the blossoms
To greet the sun and moon, ready for the blossoms
To welcome back the bees.
Listen to the honey spinning into gold

Ask what about the blackout?
Remember the fireflies you caught so long ago?
You hid them in a basement jar.
Realize you’re one of them.
Hands unlock the lid, hands let all of you free.
Listen to the land echoing your glow


Lake Chabot

Castro Valley, California

Blue water, mirror of day
Show us the breadth of the sky

Dark water, mirror of night
How lovely the moon on your throat

Sweet water, ripples and tides
Ladles of kisses
The brush of your tongue moistens our clay

Deep water, so certain the currents
Sleepless their movement
Sleepless your will

Still water, gentle the splashes
So peaceful your power
So quiet creation


The Sprinklers

Surprised on sunny park grass
The intrusion of sprinkler water
Hidden fountains meant for moonlight
Let loose by mistimed dials

An accidental shower
Perhaps you scamper from the grass
Safe and only a little wet
Perhaps they give you a hearty splash

Soaked or dry
Savor the wet sparklers
The cool of deepsome wells

This is not the Alhambra
This is not Niagara
Small rainbows

The rise and fall of water drops
An arc of musical notes
Spiring to the sky
In love enough
To fall to Earth.


© César Love. All rights reserved.


ABOUT THE AUTHOR: César Love writes poems about displacement and the search for home. He can be found at open mics of the San Francisco Bay Area. His new book of poems is titled Birthright
http://cesarlovepoetry.yolasite.com/

Once Upon A River

By Tiffany Midge

We were the kids trading marbles and penny candy at the Friday night Grange Hall meetings. We were the deaf shopkeeper at McDougals who said the comics would set ya back two bits, and the digests two bits and a George Washington. We were the Pillager kids from your dad’s class who had you over for supper, who horrified your mom when Mrs. Pillager wiped the rain off her hounds with a dishcloth, then covered the fried chicken with the same cloth.

We were the voices of the evening church bells chiming every sunset and the Rutherford sisters who graciously invited you into their doily-drenched parlor for hot water and honey and taught you how to play Hearts.

We were the hippie mom of the kid you played with, who stored the umbilical cords of her children in the back of the freezer, and the waitress at the Silver Spoon who dished you free bowls of vanilla ice cream on slow nights. We were the man who convinced you he was going to commandeer a raft all the way to Hawaii and who you swear you saw on the TV news, safe and triumphant after he’d mysteriously left town.

We were the junkyard dog next door whose owner was jaundiced and sported a hook for a hand, and the Davenquist boy who you traded your Girl Scout Mints for a litter of baby mice that all died because the house was too cold at night, so your dad replaced them with tropical fish.

We were the general store where you ran to fetch the mail every afternoon from Box 70 and spent your ten cent weekly allowance on a candy bar, and the girl named Rudy whose newborn sister had pierced ears and whose dad smoked from a hookah pipe, and Brian Osterday who was your perfect first love and who had a brother named Royal, the name of your orange cat.

We were the Snoqualmie Bull’s Saturday baseball games your dad coached and the fat catcher named Moose who later died from a broken leg. We were Brownie meetings in the basement of the library across the street.

We were the occasional shrieking of the firehouse alarm alerting your dad, in the volunteer squad to run up the block and help save distressed babies or car engine fires, and we were creek crawdads and guppies and the steady stream of bull fish hooked from the banks of the Snoqualmie River.

We were the long days that existed solely for the pleasures of swimming in the lagoons of that river, and the sandbar where some fishermen gave you your first can of beer and where you traced pictures in the sand and buried costume jewelry and brooches stolen from your mother’s dresser.

We were the sticker bushes alongside the banks where you harvested quarts of blackberries and traded to Mrs. Higgenbottom who made you a blue pie.

We were Mary Chesum whose parents were Yakima Indians and we were the Friday night when she was abducted from the house she was babysitting at, taken to the river where she was alternately chased, then stabbed, and chased again, repeatedly—her blood and clothing spilling across the lengths of the rocky bank—by a high school senior who she’d been refusing to date.

We were Mary Chesum’s younger sister Lisa, your friend, your classmate. You were the only two Indian girls in school, the only ones with that long black hair that wrapped around your shoulders like shawls. The only two girls who knew they were different, who knew they’d be singled out; girls who paired up for safety and refuge, for shelter; ones who knew how to flee to the banks of the river, instinctually, by memory.

We were there, that day on the playground when your shoelace had broken and Lisa without hesitation unbraided her lace and gave it to you.
We watched as she bent over and threaded the lace into the grommets of your shoe, then went for the remainder of the day with her one shoe loose and undressed.

Copyright © Tiffany Midge. All rights reserved.
Once Upon A River appeared in “Native Literatures: Generations," 2010.



Tiffany Midge’s book “Outlaws, Renegades and Saints, Diary of a Mixed-up Halfbreed” won the Diane Decorah Poetry Award. She’s most recently been published in North American Review, The Raven Chronicles, Florida Review and the online journal No Tell Motel. An enrolled Standing Rock Sioux and MFA grad from University of Idaho she lives in Moscow, Idaho (Nez Perce country) and teaches part time with Northwest Indian College. 
https://tiffanymidge.wixsite.com/website

I Learned All My Spanish in School

By E.K. Keith

I never tried to pass for White
but I have been passed
because it's good to be White in America
and Mother knows best
to give a not-quite-white baby
White names that don't explain
such dark eyes and such tight curls
My name never stopped mean girls hissing
gringa cola prieta and guera and taco
brown on the inside
and not-quite-white on the outside

You would not believe how White people talk
about Other people when they think you're White
How it's more polite to say Spanish
instead of Mexican
and the subtle shift in tone
when your Mexican is discovered
your tortillas uncovered
I never tried to pass for White
but I have been passed
because White people who like me
want to give me the benefit of the doubt
and let me tell you, sister
There's nothing like White Privilege
and my mother knew it
So when people would ask
"Are you Italian or Greek?"
she would laugh and say
"Good guess!"
It is so disappointing
such dark eyes and such tight curls
fail to fit in
not White, not Mexican

I have been passed
I identify as White Trash
My mother is Mexican
but her family doesn't mind
porque no hay indios in la familia
And since I learned all my Spanish in school
it was years before I understood
It's good to be White in America


Mythic Arcade

When I was a kid in Texas
California was nothing but a dream
Not much more than a metaphor
A fantasy of golden glitz and the big screen

I bet you know a lot about Texas
I bet I know what you’ve seen
Alamo heroes, political zeroes
Ten-gallon hats and oil patch schemes

You can find surfers in Texas
Riding in the oil tanker’s wake
You can find California cowboys
They’re speeding up and down the interstate

You can’t see Texas from the inside
You can’t see the mythic arcade
Just people, running for the money
Inside California it’s the same

If you need roots, go to Texas.
If you don’t belong where you are
You might find the right place is California
Who you want to be is who you are

Siblings

Brown sparrows
sift trash from a dump
find treasure
in mounds of rotting food
plastic wrappers aluminum
cans rusting toasters
shitty diapers hairdryers
headless dolls sideways
refrigerators without doors

One brown sparrow
beats its wings in the dirt
kicks
and tangles tighter
in a six-pack plastic noose


© E.K. Keith. All rights reserved. 

ABOUT THE AUTHOR: E.K. Keith shouts her poems on the street corner, and she’s just as likely to take the mic at a bar, coffee shop, or radio station. She has made San Francisco her home, although growing up in urban Texas still influences her worldview. Like most Americans, there is nothing pure about E.K.’s blood. As a result of love that mooningly ignored good sense and social boundaries across several generations, E.K. has never fit neatly into any racial, cultural, or ethnic categories. Her work appears online and in print on all three coasts and places in between, and among them are Sweet Wolverine, Haight Ashbury Literary Journal, and Nerve Cowboy. E.K. organizes Poems Under the Dome, San Francisco's annual open mic celebration of Poetry Month inside City Hall. She is a public high school teacher librarian which regularly presents opportunities for her to make the world a better place.

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